Saturday, 2 March 2013

Archive - Islington - 19th November 2012


A report from the heady days of 2012 when we were all young and innocent and fresh and anything seemed possible.

Gig Report Sunday 19th November
Camden Head Islington.

Before Gig

It has been years since I last had a proper 9 to 5 job and yet Sundays still feel the same to me. Whatever I do on Sunday. I always feel I should be doing something more productive. Tonight I have booked in to do new material at the Camden Head Islington. New material gigs require a different level of commitment. With regular  gigs I can  always turn up and perform something  from  the Stephen Carlin back catalogue. With new material gigs I actually have to write the new stuff and then go to the bother of learning it and for added hassle then try and make it sound unlearned and spontaneous. 
It doesn’t matter how much time I have spent preparing and rehearsing new material. As the gig approaches I have less and less faith in the new stuff. It’s not so much that I think it isn’t good as I think there is nothing there in the first place – just words. Then my memory begins to fail and I am able to recall less and less of the stuff I no longer believe in. By the time  I take to the stage I am able to inject a genuine air of spontaneity because I am literally making it up as I go along.


I intend to do new material about the following subjects:
  1. People who cobble together vague internet based spirituality .
  2. The futility of Rich people playing the national lottery and its associated problems.
  3. The futility of the Starwars franchise
  4. Why is it Ok to ridicule the stupid? After all it is not their fault.
5.   Saying “off anywhere nice?” to somebody who tells you they are going on holiday


I am suffering from a cold, caught, I believe, on Thursday night, but which only manifested itself on Friday night. The cold is now in full swing. I am worried about my hydration levels. I have heard that every time you cough, you cough water particles into the air depleting hydration levels. I have a pint of water but I want to reserve some to take on stage as a stage in case I start coughing. I also don’t want to go to the bar get another  drink while the audience are milling around. They seem to be able to sniff you out at a hundred paces. “Are you a comedian? Are you funny? Have you been on anything? Is night any good? etc” . Basically I need to reserve water but I enjoy drinking it. I drink all the water leaving nothing for the stage. I don’t listen to the opening bit of the show when the compere is warming up the audience.I am too busy trying to remember the material I cant remember.

During Gig.
I have a plan for my gig. I will open it with a bit of tried and tested material and then close it with a bit of tried and tested material and the middle shall be new stuff. This will help me gauge the new stuff in some kind of context.

I open with the drinking stuff and while the audience laugh in all the right places  it feels lack lustre and doesn’t give me the momentum I want to launch into the new stuff. Oh well here we go.

First up is people who build up vague spirituality. The audience are patient with this but it is light on laughs. The best bit is probably where I say that (in relation to meditation) it is never a good idea to empty to your mind as I went to school with people like that.

Its only when I segue into the lottery stuff by saying “Spiritality isn’t for the Rich its for poor people who have nothing else” that I feel I am starting to find an attitude. And I start listing all the things rich people have and I am literally making up the list as I go along. And it is when I am grasping for examples that it comes alive and it sounds  like I may believe what I am saying.  I start trying to describe how a poor person with no experience of money may spend a lottery win unwisely and its in these descriptive bits I am really enjoying. Immediately afterwards I am conscious of what I should have said but didn’t. That makes its useful. Also during this section I appear to have contempt for both rich and poor and this fits well with my petty borgeoise character. Am I petty borgeoise?

On to starwars. Before the gig I looked up what “The Force”  was in relation to Jedi Knights. Apparently it is a ubiquitous force that “surrounds us and penetrates  us.” As I impart this information to the audience by way of a set up, it gets the biggest laugh of my set - for reasons unbeknown to me. And I don’t think it is the double entendre of “penetrates” The laughter starts before I get to that word. I don’t know. What do they want? Do they just want facts??

Then a section on “why is it ok to ridicule the stupid?” I feel this routine has the biggest potential. I need more concrete examples of stupidity and at the end it I go off on a tangent about people who don’t read books but I think this is the wrong direction and will have to rewrite. But there is huge potential in ridculing he stupid. I do it. We all do it.

The material on Saying “off anywhere nice” doesn’t really work. Its under written and I don’t have enough to say on it.

I end up on the section about being offered a sweet by a kid and its at this point that my performance clicks into a different level and I see how I should have been doing it all along.

After Gig

Tonight I was too absorbed with material and not enough with performance.
Immediately after coming offstage I start listening back to the recording of the gig.  This makes me appear self absorbed and egotistical  and is therefore completely normal behaviour for a backstage area of a stand up comedy gig.

I sounded almost out of character at the start of the set and listening back to it I feel the audience were too generous with their laughter. That’s the trouble with audiences they are never giving the right amount of laughter.  I sounded to quote Alan Partridge “clinically fed up”

During the drinking stuff I actually said  “retire from comedy” instead of “retire from drinking” Freudian slip aside, this should have made the punchline unworkable. However the punchline did work despite making no sense. Therefore what were the audience thinking? Is logic actually necessary in comedy?  How many other occasions have I said the wrong word and been unaware of it? 

Audiences emit a strange sound if you mention Jimmy Savile. It is a sound I have never heard before.  Like a wounded animal that knows it deserves to be wounded. I think the sound includes a hint of guilt as if we are all somehow partially responsible for letting him get away with it.

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