Gig Report Friday 22nd March 2013
Just the Tonic - Leicester
Prelude
I don’t do drugs before I go on stage.
It’s a rule of mine. I don’t do any of them: aspirin, paracetamol, codeine,
night nurse, day nurse. I find that these remedies knock my sense of
nuance. I’d rather plough on with a flu than lose the fine tuning of the
performance. With medication I no longer know how loud or quiet I am, how fast
or slow I am going and whether I am being too harsh or lenient on that heckler.
The subtleties are all lost. I have to sledgehammer in a performance and hope
for the best. Some audiences don’t mind being sledgehammered but others are
more sensitive souls who actually require a good performance. Never mind the
injunction “Not to be taken while operating heavy machinery”, what about:
“Warning! Do not operate a sense of humour while using this medicine.”
There is a guy called “Dr Gig”. Dr Gig
is supposed to come and help you when you are ill and have a show to perform.
Dr Gig, through the sheer force of adrenalin, makes you oblivious to your
illness. Dr Gig has been about for a while. He used to masquerade under the
slogan “The Show Must Go On”. A lot of people believe in the show must go on,
mainly people who’ve never had to go on with the show in their lives. In my
experience Dr Gig is a charlatan, a quack, a peddler of unscientific, new age
buffoonery. He should have been struck off years ago for malpractice.
So basically I am ill tonight. I don’t
want to get into the whole cold vs flu debate. Let’s just say it’s been coming
on all week but is now reaching a crescendo as I launch into my weekend gigs -
timing! Last night I watched Louis CK at the Hammersmith Apollo and got through
three packs of handkerchiefs in an hour and a half. There is still a small pile
of paper tissues there dedicated to my memory.
Tonight I am in Leicester, and while I
may not be fit to perform on stage, I am at least fit to drive a car through
busy rush hour traffic. So far I have driven with the handbrake on, sat stationary
at a green traffic light and changed lanes without making any conscious
decision to do so. But in my fevered state, I am blissfully unaware of the
anger to other drivers.
Before Gig
An hour before the show and my nose is
running like a tap. This isn’t good. It looks unseemly and the constant wiping
of nose will upset the timing of my jokes. And how can I ridicule anybody on
stage with my nose taking a permanent leak? I am going to take some medication.
I take some medication.
Caimh McDonnell is doing an excellent
job of compering. I am watching him banter and riff effortlessly with the
audience. Whereas I usually watch the compere and follow their every twist and
turn, their every question, retort, repartee, imaginative leap, ad
lib, segue into material and back again to banter, and I can follow every
link in the chain thinking, “I can see what he’s doing there”, tonight my brain
is too slow. It is all foggy. I cannot keep up with his mental leaps. Both he
and the audience are moving at a speed that is beyond my addled brain. What
would ordinarily appear merely as seamless compering is tonight black
magic. I worry that I can't keep up. Apparently a car crash happens in
slow motion. Well this is an anti-car crash, it is happening in double quick
time. Is it the illness that is making me slow or the medication? I knew I
shouldn’t have taken the medication.
The audience seem emboldened since the
first half (drunker). There are outbursts of cockiness now, nothing too serious
but remember I have half a brain. Some disparate hecklers seem to have teamed
up into loose federations. One of the hecklers is sitting near the front.
During Gig
I don’t know what I do right as I walk
on stage but I do something right. I can already feel the good will in the room
before I talk. They believe in me. My brain is at half speed and they believe
in me. Maybe they will believe in me so much, that they will laugh sufficiently
long between gags to give me extra thinking time. This is my plan. I notice the
second row heckler is on side with his beaming smile. Things are going well and
the resultant high I am feeling from that, tricks me into thinking I am
perfectly OK. There are ad libs. These work. I am OK. I add new bits into the
dentist routine and these go down well. See I am perfectly fine. Dr Gig is
here. I can do mental gymnastics. I am OK. My judgement is not impaired. Dr Gig
is the real deal.
It turns out Dr Gig is a dick. I have
this bit of material about gay marriage and its reception varies around the
country. But I have noticed that it is significantly less well received at some
weekend clubs. But that’s not really a problem because there is an escape pod.
There is a punchline early on in the routine where, if the audience are not
going for it sufficiently, I can hit the abort button, end the routine on that
punchline and go on to something else. The later bit of the routine is more
niche, so even if they go for the start bit, they may not go for the end bit.
Therefore I have to judge whether they are going for the first bit sufficiently
well to justify continuing. I have to judge the quanta of risk. I’m not a
comedian at all. I am an insurance salesmen calculating actuaries. “Based on my
data this routine has a 63% risk of death.” So I have a getaway primed if I
need it. Trouble is I am not really risk averse in these situations. If I was,
I don’t think I’d really be on stage in the first place. Who would choose a
career in live performance if they were so risk averse?
So I launch into the start of the
routine and the energy dips. Mmm, I think I should get out early. That is what
my instinct is telling me. Follow your instinct. Your instinct is good. Your
instinct is experience talking. That is the cumulative memory of every gig you
have ever done. You know those cops you have a gut feeling and it is always
right. You are that cop trust that instinct. Instinct is good. Hang on doesn’t
instinct lead people to hate foreigners, steal and commit murder? Instinct is
bad. I continue the routine I do not abort. But should I have done this? Is my
judgement clouded? I shouldn’t have done it. As I now head into the more
niche section I can feel the doubts of the audience about this bit, but I am
committed now. There is no escape pod, and tonight I lack the mental dexterity
to ad lib my way out of a car crash. So I march towards the end of this
routine, the routine which has now become the routine of diminishing returns.
With every step now the ice cracks under my feet a little bit more. But still I
head out to the middle of the lake. Finally I reached the inevitable end
of the routine and suddenly they are back on board with it, they love it. It’s
like they never doubted me in the first place. The end goes very well, better
than the beginning. Already it seems there was no risk in going on. It all
seems so safe now, a fuss about nothing. All the warning signs were wrong. I
was right to go on. I was right to ignore my instincts. Never trust your
instincts. Instincts are definitely bad I decide, instincts lead to famine and
war and panic buying at supermarkets.
The only thing that really throws me is
an act of kindness. The German buys me a non alcoholic beer (there are reasons
for this, can’t say today, another blog another time). He brings it to the
stage. It is apt and funny and generous. I make a joke of it and move on. On
other nights I think I could have made something bigger out of this but I am
not quite sure how to maximise it tonight. Now for the first time on stage my
mind feels the cloudiness it did before I stepped on stage. Something very
obvious about how to ad lib about this is staring me in the face but I cannot
see it. Where is Dr Gig now with his wise counsel? The show did go on. But
where is Dr Gig where you really need him?
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